soulshowmike's Concert Calendar
Saturday, January 11 2020 |
Wednesday, January 15 2020 |
Thursday, January 16 2020 |
Saturday, January 18 2020 |
| | 6:30 pm - 9 pm
Tune It! Tuesday - jam session w/ Phat Man Dee
Join Phat Man Dee and friends in music on the 3rd Tuesday of every month at Black Forge Coffee House in Allentown, Pittsburgh, for the jam session!
All ages, $3 cover unless you are coming to sit in!
Every Third Tuesday for the past 2 1/2 years, Phat Man Dee has hosted 'Tune It! Tuesday', a community oriented, intergenerational, musical jam session. It is for all ages, and the house band features world class jazz musicians with the ability to back up singers, instrumentalists, poets, and spoken word artists of all genres. This month’s jam session features Phat Man Dee as host, with musicians Carlos Peña (guitar), Miguel Sague III (conga) and Eric Dowdell Jr. (bass). All are welcome to come sit in with these professional musicians, perform original compositions, experimental works, poetry, hip hop, jazz standards and cover songs! This series is supported by Love My Neighbor grant from Neighborhood Allies, Drusky Entertainment, and the PA Council on the Arts. Mandee is honored to help amplify the voices of new performers, seasoned professionals and artists looking to explore new work. |
Wednesday, January 22 2020 |
Thursday, January 23 2020 |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
Saturday, January 25 2020 |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
Wednesday, January 29 2020 |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
Thursday, January 30 2020 |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
| | All Day
Opening Reception: Vanishing Black Bars and Lounges at August Wilson Center
VANISHING BLACK BARS & LOUNGES: PHOTOGRAPHS BY L. KASIMU HARRIS
New Orleans-based photographer L. Kasimu Harris documents disappearing social halls and leisure clubs that were safe gathering spaces for African Americans for entertainment, benevolent causes, and community activism.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in the Claude Worthington Benedum Foundation Gallery, second floor. |
| | All Day
Opening Reception: I came by Boat so Meet me at the Beach at August Wilson Center
I came by Boat so Meet me at the Beach.: AYANA M. EVANS AND TSEDAYE MAKONNEN
Ayana M. Evans, New York-based performance artist, and Tsedaye Makonnen, multidisciplinary artist from Washington, DC, present new collaborative works and performances that explore the legacies of Black radical womanhood in relationship to well-being, ritual, and physical labor.
Organized by Kilolo Luckett, curator of Visual Arts.
January 24 through March 29, 2020
On view in The BNY Mellon Gallery, first floor. |
| | 6:30 pm - 10 pm
Phat Man Dee Roaring 2020's extravaganza Jan 31 at Oaks Theater!
Phat Man Dee was voted #1 Best Local Jazz Act in the Best of Pittsburgh City Paper Reader's Poll of 2016 and 2018 Double the 20s, double the fun! It’s the New Roaring 20s, and Phat Man Dee is bringing her jazz band The Cultural District and featured dancers Sundae Service and Christine Andrews to show us how it’s done! Musicians include pianist Howard Alexander, internationally touring trombonist Reggie Watkins, drummer Dennis Garner, bassist Lars Swanson, Afro Cuban percussionist Miguel Sague III, special guest accordionist Steven Irwin! Live music! Themed cocktails! Costume contest! Come dressed to impress, and parade your finest flapper dresses, zoot suits, and embrace your inner lunatic fringe at this gorgeous evening of fun and frivolity! |
| please send updates to soulshowmike@gmail.com |
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